How the Fed is Destroying Our Public Pensions

EASTSIDER-Now I don’t pretend to be the savviest guy on the planet about the financial services industry. Heck, all three of the properties that we bought in the mid-2000’s to guarantee our retirement (thanks to smart financial planners) went down the toilet with the Great Recession.

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How Fox News Unwittingly Destroyed the Republican Party

EDITOR’S PICK--The Republican Party is in a pickle.

The Party itself despises its own two leading presidential candidates, Donald Trump and Ted Cruz. This is a remarkable oddity just in itself. But there is good reason for it. Both of these candidates are so extreme and disastrous that they will almost certainly never be able to win a national election for the Republican Party.

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$1,400,000,000,000: Oxfam Exposes the Great Offshore Tax Scam of US Companies

YOU’RE PAYING THEIR TAXES--Using an "opaque and secretive network" of subsidiaries in tax havens, top American corporations have stashed $1.4 trillion offshore, a new report from Oxfam shows.

With "a range of tricks, tools, and loopholes," for tax avoidance, the 50 largest U.S. companies, including well-known names like Goldman Sachs, Verizon Communications, Apple, Coca-Cola, IBM, and Chevron, raked in $4 trillion in profits globally between 2008 and 2014, are contributing to inequality, the anti-poverty group said.

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There’s No Law That Says Art Museums Have to Be Pretentious

EDITOR’S PICK--Three weeks ago, I was traipsing through London’s Victoria and Albert Museum with a friend of mine who has the attention span of a hummingbird. One minute we were admiring the intense reds in Ottoman-era ceramic tiles from Turkey, the next we were surrounded by the ferocious beasts that had been woven 600 years ago into wool English hunting tapestries. By the time we stumbled on an ornately carved, stunningly out-of-place 16th-century oak staircase from Brittany, I felt not only jet-lagged, but completely lost. At that point, my friend gave me a compassionate, slightly condescending glance and reassured me that that’s what museums are for: getting lost.

She was right of course. Losing one’s self in the colors, textures, and stories of long-gone or faraway worlds is one of the principal joys of wandering through museums.

But I’ve recently also come to appreciate how much museums can give us a chance to go home. Since I was a child, I’ve enjoyed visiting Rembrandt’s tender portrait of his son, Titus, at my favorite museum in Los Angeles, the Norton Simon. Whenever I go to Madrid, I stop into the Prado to visit Velázquez’s slightly ridiculous depiction of Prince Balthasar Carlos riding an oddly plump horse. I learned to love the portraits of these boys when I myself was a boy, and over the years, each time I gaze upon them, I can recall the fascination I felt when we first met.

A few days ago in Chicago I got a chance to see an exhibition at the Art Institute that brought into focus the power of curating art around primary human themes. “Van Gogh’s Bedrooms” brought together approximately 36 of the Dutch artist’s drawings, illustrated letters, and paintings, culminating in the side-by-side presentation of the three versions he painted of his bedroom in Southern France. The crowds were large and poorly managed—to the point of tainting the experience. But the exhibition’s success suggests to me that museums could do a lot more to make art speak to people where they live, both literally and figuratively.

Too much of the way we talk about art flows from the pretentious modern cult of the artist as countercultural alchemist or seer. Modern art museums in particular often glorify the marginal—read detached and superior—status of artists in our society. The worst exhibitions can feel like elaborate inside jokes in which socially ambitious visitors try their damnedest to enter the ranks of the cognescenti. In other words, the purpose of their gaze is to boost them up the social ladder rather than to understand how the artists’ work or life might cast light on their own lives.

Van Gogh was one of the first artists to be romanticized way out of proportion, not only for supposedly sacrificing his life for his art but for exhibiting a sensitivity that the world could not or would not understand. Remember the lyrics of Don McLean’s hit single, “Vincent (Starry, Starry Night)”? “This world was never meant for one as beautiful as you.”

Oh please.

I just finished reading Steve Naifeh and Gregory White Smith’s biography of Van Gogh, and let me tell you, the poor Dutchman was no self-righteous bohemian who felt himself above social norms. He desperately longed for the things we all do: family, a sense of belonging, and a place he could call home.

Van Gogh himself was an avid reader of artists’ biographies. He wholeheartedly agreed with Emile Zola’s famous dictum that when looking at art, one must look for the artist behind it. In other words, you shouldn’t appreciate art for beauty or ideas alone, but for the way it helps you connect with the creator, whose pains and pleasures, insights and insecurities, might very well teach you something about your own.

Too much of the way we talk about art flows from the pretentious modern cult of the artist as countercultural alchemist or seer.

When Van Gogh painted “The Bedroom” in October 1888, he had just finished fixing up the one-half of a dilapidated yellow house he had rented in a seedy neighborhood in Arles. Paul Gauguin had just agreed to come live with him, and Van Gogh was anticipating the joys of having a home of his own where he could “live and breathe and think and paint.”


The painting was instantly one of his favorites. He felt it captured the feeling of “overall rest or sleep.” Simple, intense, and painted in saturated colors, “The Bedroom”’s oversized furniture, elongated floorboards, and walls that seem to lean inward gently pull the viewer forward. Van Gogh was proud of its ability to monumentalize something so ordinary.

The painting’s restful beauty stands on its own. But what the Art Institute’s “Van Gogh’s Bedrooms” exhibition does for the original painting as well as for the subsequent two—which were painted in an asylum after Vincent’s dream of a happy home had collapsed—is to contextualize them within the life of the artist.

The exhibition invites guests not merely to revere Van Gogh as a painter, but to empathize with him as a man whose desires and longings were not unlike our own. The entry hall to the exhibition details Van Gogh’s peripatetic life. In his 37 years on earth, he lived under 37 roofs across 24 cities. The first line of the first sign of the exhibition states simply that Van Gogh’s life “was marked by a persistent search for a home and a place of belonging.” The rest of the exhibition flows directly from that one sentence.

You wouldn’t know it from the lines outside the Art Institute of Chicago these days, but museum administrators across the Western World are scrambling to keep their institutions relevant in the face of rapidly changing demographics.

And yet for all the concern about the future viability of museums, few people are talking about the need for museum curators to change the way they frame and present exhibitions, to move beyond the insider art history mumbo jumbo curators use to narrate exhibitions. Labels emphasizing shifting techniques of craft, highfalutin intellectual concepts, or the minutiae of artistic movements seem to be written by Ph.D.s for Ph.D.s. The curators evidently assume that visitors should come to learn about art rather than to experience it.

But surely one can do both. To do that most effectively, it helps to frame and present works of art in terms that the broadest possible cross section of the public can understand.

It’s become a truism in the era of data overload that the curator is king. How we frame and present knowledge have become as important as the knowledge itself. Swiss-born curator Hans Ulrich Obrist has written that curating at its most basic should be about making connections between cultures and humans. You might describe it, he explains, “as a form of mapmaking that opens new routes through a city, a people or a world.”

Those routes should be drawn to arrive where people live, to appeal to their most fundamental memories, hopes, fears, and desires. Because neither the cult of the artist nor an undue focus on style or technique come close to shedding light on what it means to be human. And this, it seems to me, is the truest purpose of art.

(Gregory Rodriguez is the founder and publisher of excellent Zócalo Public Square … where this perspective originated.)

-cw

 

(Phone) Banking for Bernie: the Myths and the Media

FIRST PERSON ACCOUNT-I found myself doing something today that I have never done before. I went online to: (www.berniesanders.com/phonebank) to call voters in the State of New York and elsewhere to try and encourage them to vote for Bernie Sanders in the April 19 primary. Despite having been told incessantly by the mainstream media from the beginning of the primary season that, "Bernie Sanders is not a serious candidate and he doesn't have a chance of winning," I nonetheless tried to point out to the people I talked with today why Bernie continues to rack up victory after victory with his latest on April 9 in Wyoming.

My goal was to do my own small part to conquer the public's artificial media-nurtured apathy that has attempted to marginalize Sanders from the beginning of the primary season. I found myself pointing out to the folks that the millions of dollars the Sanders campaign has raised (with an average donation of $37 per person) continues to give Hillary Clinton a run for her seemingly endless supply of corporate money derived from endless $350,000 speaking engagements, dinners with bankers, Wall Street, and other corporate interests sanctioned by Citizens United. Was it really part of our Founding Fathers’ original intent to include corporations in "We the people"?

Does anybody really believe that these corporate interests fund-bundling for Clinton and all other presidential candidates except Sanders are doing so to further the democratic process? Or is it clearly to ensure continued corporate control of our government and those that continue to run it for them as their well-compensated vassals. Does anyone really think that political candidates like Clinton, who are clearly beholden to the corporate financers of their campaigns, could ever stand against those interests and for the interests of the people when they get into office?

It seems implicit, if not explicit, in Clinton's attacks on Sanders as his not being a "political realist." Clearly, political realism in Clinton's lexicon puts corporate sovereignty right up there with government sovereignty.

And as I spent hours on the phone talking to people in New York and elsewhere, I found myself addressing in turn each one of the incessantly repeated lies being promoted by the corporate media to discredit Bernie Sanders candidacy:

Bernie is a socialist and that is dangerous: The democratic socialism that Sanders advocates has already existed in the United States since the beginning of this country. A program like Social Security from FDR's New Deal recognized that a "single payer" retirement system like Social Security run by the government is the most efficient way to ensure all working Americans and their families are protected throughout their lives with a government guaranteed social safety net.

In an example of his platform, in stark contradiction to the corporate media's assertion that Sanders ideas are unrealistic, Sanders points out that Social Security's shortfall was caused by the government’s invasion of the Social Security trust fund, coupled with an aging population with a smaller worker to retired ratio. Easily, this could have been solved, as Sanders proposes, by simply raising the present $118,000 cap on wages subject to the Social Security tax. Is it really so unreasonable to ask people making more than that to have a little more deducted from their paychecks?

As for a free college education at public schools, supported by our taxes or a tax on Wall Street: This is not a new idea. In fact, it was already instituted when I went through UCLA in the 1960s. When I graduated in 1969, my tuition for my last quarter was $80.50. What then Governor Edmund G. "Pat" Brown (present Governor Jerry Brown's dad) understood was that the subsidizing of the cost of my education was more than paid back to California in the taxes the state would collect from a better educated and well-compensated college graduate. Furthermore, our better educated workforce gave California an advantage when it came to attracting high-tech industries to the state. Is it really preferable now to have college graduates come out of school with hundreds of thousands of dollars in debt and few prospects for gainful employment?

Rebuilding America's infrastructure and using some of corporate America's record profits to finance it: Again, this is not a new idea. The engine that drove the New Deal in the 1930s was a series of public works projects that built critical infrastructure to help the economy come out of the Depression. It also gave workers the salaries that in turn stimulated the buying of goods and services. This is because FDR was willing to "prime the pump." Now that Sanders wants to do the same, it has somehow called “naïve.”

Single-payer healthcare: The United States remains the only industrialized country without a (socialist) single-payer healthcare system run by the government. Whether those completely against such a plan, like the Republicans, or against it like Clinton who says it is not politically possible, the end result remains the same. The United States continues to pay 34% of every dollar spent on healthcare to an insurance company. The folks who remain adamantly against a government run program seem to have no problem with a healthcare system run for corporate profit, which has lead to the United States paying twice as much for healthcare as a country like France. We receive healthcare that is objectively inferior by every measure of quality assessment, e.g. infant mortality, longevity and timely quality of care.

Endless war and terrorism: Is there not a clear correlation between regime change, supporting dictatorships, and endless war and the rise of terrorism in the Middle East where only corporations like Haliburton continue to profit? If we had not overthrown the democratically elected government of Mohammad Mosaddegh in Iran in 1953, while supporting the Shah and his secret police, would we now be dealing with fundamentalists in Iran and elsewhere? At the time, Iran was the best-educated and most progressive country in the Middle East.

The same is true in Egypt, with our longstanding support of an oppressive military dictatorship, in open contradiction of the democratic values we continue to tout but do nothing to support. It seems we will do anything -- including the subversion of democracy in Egypt -- to maintain Western control of the Suez Canal. One must wonder just how much American-inspired terrorism would exist today, if rather than spending more than $2 trillion in Iraq and Afghanistan fighting a war, the United States had used the money to build infrastructure in those countries. And yet, when it comes to justifying our continued support for the repressive undemocratic family-controlled government of Saudi Arabia, our government remains silent.

The greatest hurtle Bernie Sanders faces is not being called unrealistic, but rather the fact that human beings are creatures of habit. We've been engaged in a variation of violence and intimidation of each other for as long as our species has been around. What has radically changed for the better in recent years is a technological ability that now has the objective possibility of literally dealing with and resolving every problem we face. Gross disparities in human well-being no longer need to remain the hallmark of our self-destructive species. What Sanders proposes in no small part is a first step toward implementing this different approach that with the power of the United States behind it, just might allow us to survive our baser nature.

 

(Leonard Isenberg is a Los Angeles observer and a contributor to CityWatch. He was a second generation teacher at LAUSD and blogs at perdaily.com. Leonard can be reached at [email protected]) Edited for CityWatch by Linda Abrams.

Let Me Tell You Why This Latina Mom Supports CA’s Proposed Soda Tax

GOOD HEALTH POLITICS--Let’s be real here. Soda isn’t harmless. It’s liquid sugar that too often is consumed by kids like water. It’s the third source of calories in kids’ diets after cake and pizza. It contributes to a child’s chances of getting diabetes, cavities and tooth decay. Aside from the health implications, these are costs that families don’t need!

I don’t buy soda at home, and treat it at restaurants like dessert. My kids can have an edible treat or soda, but not both. I’ve actively campaigned against the industry’s aggressive marketing tactics from vending machines in schools to commercials during kids’ shows thanks to MomsRising’s food justice team.  I phone-banked and voted for Measure D, a soda tax in my city that easily passed with over 72% of the vote. (Here is an inspirational video on how we were able to fight off the soda industry in that local race.)

And now I want to say loud and clear: this mamá supports California’s proposed soda tax.

AB 2782, which was proposed in the state legislature last month, would tax sweetened soda distributors 2 cents per ounce - or 24 cents on 12-ounce cans of soda. According to an article in the Los Angeles Times, “The more than $2 billion expected to be raised each year under the tax would be given to counties, cities, community-based organizations and licensed clinics to create and maintain obesity and diabetes prevention programs. The money would also go toward providing safe drinking water and creating oral health programs.”

Sounds good to me. Right now, California has the highest rate of diabetes in the country, and it costs $24 billion each year to treat. 71% of children in California experience tooth decay by the time they are in third grade. $2 billion a year will go in an instant, but it’s something. If anything, it would put the soda industry on notice, letting them know that moms and dads are watching and will not tolerate predatory marketing of their products to our youth.

Not surprisingly, industry lobbyists misleadingly named “Californians for Food and Beverage Choice” have said they would rally against the bill. I am already awaiting them to hem and haw about how “regressive” the tax is, government over reach, freedom of choice. Really, how much of a choice do we have when their products are being sold in schools and behind parents’ backs? They are extra aggressive in marketing to low-income and communities of color. That’s a fact.

But, ultimately, they are wrong because no one needs soda to live. And no, it is not good for children. Water is.

I look forward to the Assembly’s full vote on this bill.

Note from the author: MomsRising.org / MamásConPoder.org and the Ecology Center, which helped successfully pass a soda tax in a U.S. city, are co-hosting a twitter chat on the health impact of soda taxes at #FoodFri on Friday, April 22, at 10am. Please do join us if this is an issue you are passionate about - as I am. -Elisa

(Elisa Batista is a campaign director at MomsRising.org, a million-member organization advocating for policies related to family economic security, child health and ending discrimination against mothers. This piece was posted most recently at Huffington Post)

-cw

Judge Rules for Kids: Unprecedented Climate Case, Youth vs. Government

ENVIRONMENTAL JUSTICE-A federal judge in Oregon on Friday ruled that the lawsuit brought against the U.S. government by a group of youths (photo above) last August can go to trial -- a huge victory for the case climate activists are calling "the most important lawsuit on the planet right now."

The lawsuit, filed by 21 plaintiffs ages 8-19, and climate scientist Dr. James Hansen, states that the federal government is violating their right to life, liberty, and property, as well as their right to public trust resources, by enabling continued fossil fuel extraction and use.

U.S. Magistrate Judge Thomas Coffin in Eugene, who called the case "unprecedented," rejected motions by federal lawyers and representatives of fossil fuel groups to dismiss the lawsuit. He stated in his decision that the plaintiffs "give this debate justiciability by asserting harms that befall or will befall them personally and to a greater extent than older segments of society."

There is a need for a court to assess the "constitutional parameters of the actions or inactions taken by the government," Coffin said.

Philip Gregory, who represents the plaintiffs, said in a statement that the decision is "one of the most significant in our nation's history."

"The court upheld our claims that the federal government intensified the danger to our plaintiffs' lives, liberty, and property.... The next step is for the court to order our government to cease jeopardizing the climate system for present and future generations," Gregory said. "The court gave America's youth a fair opportunity to be heard."

Lawyers for the fossil fuel groups said the lawsuit posed a "direct, substantial threat" to their businesses, an argument Coffin rejected. The defendants have 14 days to file objections to the ruling.

One plaintiff, Kelsey Juliana, said the decision "marks a tipping point on the scales of justice.... This will be the trial of the century that will determine if we have a right to a livable future, or if corporate power will continue to deny our rights for the sake of their own wealth."

The decision was lauded by environmental activists.

"This is as important a court case as the planet has yet seen," said Bill McKibben, co-founder of climate group 350.org. "To watch the next generation stand up for every generation that will follow is as moving as it is significant."

 

(Nadia Prupis writes for Common Dreams where this report was posted earlier.) Photo: Our Children's Trust. Prepped for CityWatch by Linda Abrams.

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